Le Brothers
Photo: Seweryn Zelazny
About
Thanh Le Ngoc and Hai Le Duc (Le Brothers), born in 1975 in the Quang Binh Province, were first noticed as the artists of Vietnamese lacquer painting of war topics. In 2000 both graduated from the Hue College of Arts where Le Ngoc Thanh studied lacquer painting and Le Duc Hai oil painting.
After painting, the artists started creating performances and video works highlighting the metaphor of similarity. Many of their works speak of the issue of Southern and Northern Vietnam and other places that were or are divided. The Le Brothers are known for their unique approach to history, identity and the interpretation of the past in the present.
Perhaps one of the rare pairs of twins sharing a single artist identity in the art world not only in Vietnam but globally. As twin brothers, they have a special biological and psychological connection, forming an individual identity in life and art that is unique. They paint together, sculpt together, and perform with both of their bodies. Since birth, they have never been separated in creation or in life, sharing meals, sleeping, working, and thinking together, accompanying each other on distant journeys, and sharing thoughts about the future. Their creativity thus forms a very unique, consistent, and unrepeatable style, recognized in the cultural and artistic landscape both domestically and internationally for nearly 20 years.
With nature, Lê Brothers pursue a different working and creative direction, recognizing and dialoguing with an entity of present life, and transcending the obsessions, images, and stories of the past and history in their previous artistic practices.
Exhibitions
Le Brothers have exhibited and performed nationally and internationally, including, The return project in Vietnam and Germany (2024), The B3 biennale in Frankfurt (2023), The Nord gallerie in Berlin (2018), Vietnam Eye in START at Saatchi Gallery in London (2017) The Jim Thompson Art Center in Bangkok (2016), Gwangju Museum of Art (2016), Kumamoto Contemporary Art Museum in Japan (2015),The Live Performance Biennale 2015 in Canada, Palais de Tokyo in Paris (2015), Queens Museum (2015), the Croatian Association of Visual Artists in Zagreb (2015), Iran CP Biennale (2014), FreeS Art Space in Taipei, Taiwan (2014), Singapore Biennale (2013), Selected projects include ‘The Bridge II’, performance at DMZ Gang Hwa, Korea (2012),‘Before ‘86’, Cheongju Complex Cultural Center, Korea (2012), ‘Communicate with the times’, Saigon Open City, Vietnam (2006), ‘Window to Asian”Vietnam (2001)
Awards
Their works are in numerous national and international private and museums collections, including the Singapore Contemporary Art, Museum Gwangju Museum of Art and The Jim Thompson Art Center , Hue Fine Arts Museum
Residency Program
The Le Brothers also have been connecting artists across the world through Vietnam’s first artists-in-residence program, the New Space Arts Foundation, which they launched in April 2008, from a gallery they founded in 2000.
Video Interview by TRT
Sinking and the Paradox of Staying Afloat (Oct 2024)
Blick zum Himmel - Sachsen Anhalt trifft Vietnam
Past Exhibitions
LOOK AT THE SKY - Ánh nhìn bầu trời
Art & design by Saxony-Anhalt and Vietnamese artists from work and residency grants from the art foundation
Intercultural dialogue, its gaps and the examination of one's own history – this is what the works of eight Saxony-Anhalt and Vietnamese artists are about. Work and residency scholarships in cooperation with the Goethe-Institut Hanoi enabled them to travel into the art world of the unknown and distant country and inspired them to create works that will be presented together.
The exhibition combines ceramic sculptures by Judith Runge and Julia Schleicher, created during their residencies in the ceramics studio of “Hiên Vân Ceramics”, with photo and video works by the artist duo Le Brothers (Lê Đức Hải and Lê Ngọc Thanh), which were created in collaboration with Nguyễn Đăng Trường Lâm was created. These shed light on the Vietnamese community and its history in Halle and other German cities. Also on display are glove sculptures made of rice paper, which Xuân-Hạ Nguyễn used to trace the stories of local Vietnamese immigrants during her visit to Halle, while Matthias Ritzmann followed them photographically. Franca Bartholomäi shows woodcuts inspired by the Vietnamese national epic “Truyện Kiều” (“The Girl Kieu”). Bình Minh Herbst and Christin Marczinzik are already teaching Vietnamese language and culture to children with their cross-media web app “Songs of Culture” and invite them to sing along, learn, paint and get to know this culture in the exhibition.
Speak at the opening on Thursday, May 16, 2024 at 7 p.m
Dr. Sebastian Putz – State Secretary for Culture of the State of Saxony-Anhalt
Manon Bursian – Director of the Saxony-Anhalt Art Foundation
Prof. Dr. Dang Hoang Linh – Counselor of the Embassy of the Republic of Vietnam
Binh Minh Herbst – multimedia designer
THE RETURN - Trở về
The Return is the latest art project of Le Brothers, following their previous art project that begins by The Bridge (2010), a series of on-site performances from the Hien Luong Bridge, where separating the two sides of Vietnam's parallel, to the North-South Korean border near Panmunjom, and the Berlin Wall that divided Germany for nearly half a century. Separation and Reunion became one of the major topics of the twin artists for more than a decade in which art became a channel to reveal the individual history, memories, and the past with many layers and unknown meanderings.
During the two residency months of March-April 2023 in Germany, Le Brothers met and talked with many people in the Vietnamese expatriate community living in cities such as Halle, Berlin, Munich, Frankfurt and Leipzig. They come from various historical periods and backgrounds: international students and labor exchange workers in the 70s and 80s, immigrant workers after Doi Moi (Renovation period, 1990s), second-generation young people born and raised in Germany, and other Vietnamese students studying abroad in recent years. This visual exhibition is multimedia installation built by hundreds of photo documents selected from more than 1,500 images, and two long videos of the twin artists in conversation with Vietnamese people in Germany (duration of 4:46' Vietnamese and 3:30' German version). The photos are printed in different dimensions and hung on large-scaled nets in the gallery, in order to create the multi-layered visual installation. The pictures are both separated and overlapped on each others like layers of memory that time can hardly erase as a colorful collage panorama of the diaspora. The single conversation, image, and video record is a metaphor for leaving and returning in many twists and turns, feelings, desires, and ambiguities about the future where memories and reality blur into one.
Nguyen Anh Tuan